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Marlo The Final Cut - Third Volume Of The Marlo Card Series - Book

$ 1,608.85 $ 2,413.28

Hardcover, 312 pages. ISBN 978-0-9729263-9-3

MARLO The Final Cut is the broadest and most ambitious compilation of Ed Marlo's work ever published. Spanning more than thirty different published sources released from 1941-1974, it covers hundreds of tricks, moves, routines, subtleties, musings, and thought problems. Not only does this volume compile thirteen distinct books, but it also reprints his contributions from a myriad of other publications - magazines to books to newsletters.

In this book, you'll discover material of all kinds-from close-up to stage, from semi-automatic to knuckle-busting, from complex routines to simple tricks. Learn modernist masterpieces like Devilish Miracle, practical worker's material like Cardician Makes Good, ornate dances like New Elevator, and elemental concepts like the KM Move.

Compiled and edited by N. C. Colwell with more than 300 endnotes and notations providing historical, literary, and clarifying context and foreword and remembrance by two of Ed Marlo's most prominent students - Jon Racherbaumer and Allan Ackerman.

CONTENTS

Introduction by N. C. Colwell

Remembering Eddie by Allan Ackerman

Foreword by Jon Racherbaumer

PART ONE: BOOKSChapter 1 - Card Fan Productions (1941)

Introduction
The Instruction
  • Producing Multiple Fans of Cards
  • Sample Routine
A Bad Technique
Types of Cards-One
Types of Hands
Types of Cards-Two
The Hat Steal by Mort Abrams
Painted Card by Hank Nowoc
The Card Clip
A Net for Catching the Cards
Two Types of Fans
Gloved Productions
Hand Care

Chapter 2 - Deck Deception (1942)

Foreword
Double Vanish and Recovery
  • Casanova Card Trick by Martin Gardner and Ed Marlo
  • Marlo's Double Vanish and Recovery
Torn Deck Mystery
A Good Number
Number Transpo
Marlo's Running Cut
Marlo's Lessinout System of Cull and Stock Shuffles
  • Lessinout Cull
  • Lessinout Stack
The Spy
Divining Hanky
Marlo's Card to Card Case
The Magical Gambler
And in Conclusion...

Chapter 3 - Future Reverse (1945)

First Method
Second Method
  • Center Reverse/Future Reverse
Method Three
Method Four
Method Five
Method Six
The Bonus Effect

Chapter 4 - Havana Deal (1948)

First Method
Second Method
Third Method

Chapter 5 - A Devilish Miracle by Ed Marlo and Carmen D'Amico (1948)

First Method
Second Method

Chapter 6 - Ed Marlo's Lecture Notes (1951)

Sudden Aces
Cutting the Aces Routine
Ace Opener
Cardician Makes Good
Follow the Leader
Mr. Black Comes Back

Chapter 7 - The Future Classic by Ed Marlo and Carmen D'Amico (1953)

A Future Classic
  • Card Addition by Fred Braue
  • Turnover Change
  • Hit Method
  • Left Hand Palm/Dealing Position Palm/Future Classic Palm
  • Summary
Streamlined Classic
Comedy Classic
Final Observations
  • Alternate Set-Up
  • Alternate Count One
  • Alternate Count Two
  • Glide Double Handling
Chapter 8 - The Magic Seven (1954)Magical Seven
  • Phase One
  • Phase Two
    The Glide
  • Phase Three
  • Phase Four
  • Phase Five
  • Summary
Opening Phase
  • Alternate Methods
The Climax Phase
  • Alternate Methods
Chapter 9 - Classical Foursome by Ed Marlo and Carmen D'Amico (1956)Foreword
A Classical Quickie
  • First Method
  • Second Method
  • Third Method
  • Fourth Method
  • Fifth Method
  • Sixth Method
  • Seventh Method
    The Open Reverse
  • Eighth Method
  • Ninth Method
  • Tenth Method
The D'Amico Spread
Doubly Ambitious
Chameleon Queens
Marlo-Curry Change
Double Transpositions
  • The Repeat
  • Straight Presentation
Combination
Marlo Pivot Spread
  • Basic Principle
  • First
  • Second
  • Third
  • Fourth
  • Fifth
  • Sixth
  • Note on Sixth Method
  • Triple Pivot Spread
Chapter 10 - Marlo Meets His Match (1959)Foreword
Matcho
  • Matcho Methods I-VI
Matcho Notes
  • Variation of the Method II
  • Possible Stage Presentation
  • Matcho II-Single Deck Version
Marlo-Curry Change Variation
Double Thought-Single Deck
  • Stooge Version
  • The Exchange Version
  • The Key Card Version-First Version
  • The Key Card Version-Second Version
  • Memory Version
Red and Blue-Spectator Coincidence
Double Coincidence
More Matchos
  • Matcho Methods VII-IX
Double Thought and Two Billets
Gaffed Matcho
  • First Method
  • Second Method
Marked Matcho
Unmarked Matcho
Memory Matcho
The Fake Change

Chapter 11 - The K. M. Move by Ed Marlo with Tony Kardyro (1962)

Introduction
The K. M. Move-Forward Fingering Action
Two Closing Actions
Reverse Fingering Action
Reversal Effect
Card Face-Up, Deck Face-Down
Righting a Reversed Card
Multiple Cards, Forward Fingering Action
Foreshadowing Later Ideas
Multiple Cards, Reverse Fingering Action
Multiple Out/Multiple Turnover Cleanup
Off the Face Changes
Ambitious Routine
Further Applications of the Reverse Fingering Action with K. M. Move
  • All Alike Count
  • The Transposition
Use of the K. M. Move in Devilish Miracle
K.M. Move Follow Up Aces
Another Exchange Procedure
The Four Ace and Four King Transposition
K.M. Move with the Peek
K.M. Move as a Passer
  • First Idea
  • Second Idea
  • Packet Handling
Second Handling of K. M. Move
  • Multiple Card Steal
The K. M. Move Force
Ace Producer
The K. M. Move Brush Change
Appearing and Disappearing Selections
Technical Variations of the K. M. Move
  • First Variation
  • Second Variation
  • The Fan Method
Conclusions and Recollections

Chapter 12 - Tilt! (1962)

Foreword
More Bluff Shifts
  • For One Card (Added Ideas)
  • Bluff Shift to the Top or at Any Number from the Top
  • Bluff Shift to the Bottom or Any Number from the Bottom
  • Bluff Shift and Palm Off
  • Flexible Bluff Shift
  • D'Amico's Idea by Carmen D'Amico
  • Front End Tilt
Mental Elimination
  • Mental Elimination
Effects with Figure Three
  • First Effect-Rising Thought
  • Second Effect-Quick Acembly
  • Third Effect-4 and 4 Transposition
  • Fourth Effect-Trapped
  • Fifth Effect-The Pincers
    Tilt Subtlety by Charles Aste, Jr.
  • Sixth Effect-Gathering of the Clan
  • Seventh Effect-Surprise
  • Ambitious Card Sequence
Add to Effects with Figure Three
  • Eighth Effect-Another Classical Quickie
  • Ninth Effect-Aces to Pocket
  • Tenth Effect-The Prediction (Open or Closed)
  • Eleventh Effect-Do as I Do
More Effects with Figure Three
  • Twelfth Effect-The Tilted Transposition
  • Thirteenth Effect-The Criss Cross Transposition
  • Fourteenth Effect-The Tilt Stab
  • Fifteenth Effect-The Tilt Sandwich
    Alternative Handlings for The Tilt Sandwich
New Effects
  • Sixteenth Effect-Tilt Doubly Ambitious
  • Seventeenth Effect-Tilted Aces
  • Eighteenth Effect-Tilt Addition
  • Nineteenth Effect-Numbered Tilt
  • Twentieth Effect-Tilted Dunbury
  • Twenty-First Effect-Tilted Classical Quickie
  • Twenty-Second Effect-Visible Tilt
  • Roger Klause Fake Center Deal by Roger Klause
  • Neal Elias Tilt Contribution by Neal Elias
Chapter 13 - Marlo's Objectives (1973)

First Objective
Second Objective
Third Objective-Re-positioning Spread
Fourth Objective-Four Card Location
Fifth Objective-In- and Out-Jogging Cull
Sixth Objective
Seventh Objective
Loose Ends
Alternated Red & Black Shuffles
For Faro Shuffler Only

PART TWO: EXCERPTS

Chapter 14 - STEELE & LEECH

52 Amazing Card Tricks by W. F. (Rufus) Steele (1949)
Double Thought
For Card Men Only by Al Leech (1949)
Aces Up by Ed Marlo and Al Leech
Manipulating with Leech by Al Leech (1952)
Ace-King a la Marlo

Chapter 15 - IRELAND'S YEARBOOK

The Ireland Yearbook for 1950 (1950)
Card Telepathy de Luxe by James Auer with Ed Marlo
Ireland's Yearbook for 1954 (1954)
The Royal Assembly by Del Ray and Ed Marlo
Ireland's Yearbook for 1955 (1955)
Bluff Ace Assembly
Ireland's Yearbook 1959 (1959)
Tabled Bottom Placement
  • Four Suggested Uses
Ireland's Yearbook for 1961 (1962)
The Master Position
  • The Master Position
  • Control to the Bottom--Five Methods
Transferring the Cards
The Pivot Palm
  • Palm Pivot Transfer
Pivot Palm Replacements--Three Methods
Reversing the Cards--Three Methods
The Spread Pass
To Place the Card During the Spread Pass
Multiple Spread Pass
Nine Notes

Ireland's Yearbook for 1962 (1962)
Technicolor Prediction
Impromptu Technicolor Prediction--Four Methods
Alternative Presentation for Technicolor Prediction--Six Versions

Chapter 16 - THE NEW PHOENIX

The New Phoenix #329 - The Ed Marlo Issue (August 20, 1955)
Interview with Ed Marlo by Jay Marshall with Ed Marlo
Card Miracles from 1949
  • Throw In Location
  • Card Stab-Two Methods
  • Automatic Placement
    Six Applications
The New Phoenix #334 (December 12, 1955)
Challenge to You from Edward Marlo by Jay Marshall
The New Phoenix #338 -Ed Marlo Tells All! (1956)
Real Gone Aces
Additional Notes on Real Gone Aces
  • Swindle Aces Ideas
Note on the Handling of Initial Count Off of Nine Cards
For Use in Real Gone Aces (Ace Layout)
The Separating Aces--Three Methods
Notes on the Mislide
The New Elevator--Four Methods
Vanishing Aces Theory
Aces & Deuces
The New Phoenix #339 (1956)
Case Card Again
The New Phoenix #346 (July 20, 1957)
Six Card Repeat Climax
The New Phoenix #374 (November 1962)
Marlo's False Cut on Table
Marlo's Lengthwise Spread
The New Phoenix #375 (December 1962)
The Open Travelers
  • Add a Subtlety (for Open Travelers)
Chapter 17 - IRELAND'S CARD ANNUAL

1956 Card Annual (1956)
The Switchless Switch
  • First Effect
  • Second Effect
  • Third Effect
  • Additional Technique for the Switchless Switch
1957 Card Annual (1958)
Marlo's Hofzinser
  • For the Purists
  • Additional Climax to Marlo's Hofzinser
The Buckle Break
Marlo Bottom Count

Chapter 18 - IRELAND'S TRICK TALK

Ireland's Trick Talk Vol. 1 No. 1 (May-June 1957)
Marlo's Card Quiz: Spur of the Moment
Ireland's Trick Talk Vol. 1 No. 2 (July-August 1957)
Marlo's Card Quiz: Out of Your Hands

Chapter 19 - KID STUFF

Kid Stuff 5 (1974)Entertaining Kids with Cards
Afterword by N. C. Colwell

Appendix

Index
$ {{amount}}" data-shop-currency="MXN" data-select-id="product-select-9907371704614productproduct-template" data-enable-state="true" data-product="{"id":9907371704614,"title":"Marlo The Final Cut - Third Volume Of The Marlo Card Series - Book","handle":"finalcutmarlo","description":"\u003cdiv class=\"mms_prod_desc\"\u003eHardcover, 312 pages. ISBN 978-0-9729263-9-3\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMARLO The Final Cut\u003c\/b\u003e is the broadest and most ambitious compilation of Ed Marlo's work ever published. Spanning more than thirty different published sources released from 1941-1974, it covers hundreds of tricks, moves, routines, subtleties, musings, and thought problems. Not only does this volume compile thirteen distinct books, but it also reprints his contributions from a myriad of other publications - magazines to books to newsletters.\u003cbr\u003e\u003cbr\u003eIn this book, you'll discover material of all kinds-from close-up to stage, from semi-automatic to knuckle-busting, from complex routines to simple tricks. Learn modernist masterpieces like Devilish Miracle, practical worker's material like Cardician Makes Good, ornate dances like New Elevator, and elemental concepts like the KM Move. \u003cbr\u003e\u003cbr\u003eCompiled and edited by N. C. Colwell with more than 300 endnotes and notations providing historical, literary, and clarifying context and foreword and remembrance by two of Ed Marlo's most prominent students - Jon Racherbaumer and Allan Ackerman.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCONTENTS\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eIntroduction by N. C. Colwell\u003cbr\u003e\u003cbr\u003eRemembering Eddie by Allan Ackerman\u003cbr\u003e\u003cbr\u003eForeword by Jon Racherbaumer\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePART ONE: BOOKS\u003c\/b\u003e\u003cb\u003eChapter 1 - Card Fan Productions (1941)\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003eIntroduction\u003c\/i\u003e\u003cbr\u003eThe Instruction\u003cul\u003e\n\u003cli\u003eProducing Multiple Fans of Cards\u003c\/li\u003e\n\u003cli\u003eSample Routine\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ci\u003eA Bad Technique\u003c\/i\u003e\u003cbr\u003e\u003ci\u003eTypes of Cards-One\u003c\/i\u003e\u003cbr\u003e\u003ci\u003eTypes of Hands\u003c\/i\u003e\u003cbr\u003e\u003ci\u003eTypes of Cards-Two\u003c\/i\u003e\u003cbr\u003eThe Hat Steal by Mort Abrams\u003cbr\u003ePainted Card by Hank Nowoc\u003cbr\u003e\u003ci\u003eThe Card Clip\u003c\/i\u003e\u003cbr\u003e\u003ci\u003eA Net for Catching the Cards\u003c\/i\u003e\u003cbr\u003e\u003ci\u003eTwo Types of Fans\u003c\/i\u003e\u003cbr\u003e\u003ci\u003eGloved Productions\u003c\/i\u003e\u003cbr\u003e\u003ci\u003eHand Care\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 2 - Deck Deception (1942)\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eForeword\u003cbr\u003eDouble Vanish and Recovery\u003cul\u003e\n\u003cli\u003eCasanova Card Trick by Martin Gardner and Ed Marlo\u003c\/li\u003e\n\u003cli\u003eMarlo's Double Vanish and Recovery\u003c\/li\u003e\n\u003c\/ul\u003eTorn Deck Mystery\u003cbr\u003eA Good Number\u003cbr\u003eNumber Transpo\u003cbr\u003eMarlo's Running Cut\u003cbr\u003eMarlo's Lessinout System of Cull and Stock Shuffles\u003cul\u003e\n\u003cli\u003eLessinout Cull\u003c\/li\u003e\n\u003cli\u003eLessinout Stack\u003c\/li\u003e\n\u003c\/ul\u003eThe Spy\u003cbr\u003eDivining Hanky\u003cbr\u003eMarlo's Card to Card Case\u003cbr\u003eThe Magical Gambler\u003cbr\u003e\u003ci\u003eAnd in Conclusion...\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 3 - Future Reverse (1945)\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eFirst Method\u003cbr\u003eSecond Method\u003cul\u003e\u003cli\u003eCenter Reverse\/Future Reverse\u003c\/li\u003e\u003c\/ul\u003eMethod Three\u003cbr\u003eMethod Four\u003cbr\u003eMethod Five\u003cbr\u003eMethod Six\u003cbr\u003eThe Bonus Effect\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 4 - Havana Deal (1948)\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eFirst Method\u003cbr\u003eSecond Method\u003cbr\u003eThird Method\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 5 - A Devilish Miracle by Ed Marlo and Carmen D'Amico (1948)\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eFirst Method\u003cbr\u003eSecond Method\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 6 - Ed Marlo's Lecture Notes (1951)\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eSudden Aces\u003cbr\u003eCutting the Aces Routine\u003cbr\u003eAce Opener\u003cbr\u003eCardician Makes Good\u003cbr\u003eFollow the Leader\u003cbr\u003eMr. Black Comes Back\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 7 - The Future Classic by Ed Marlo and Carmen D'Amico (1953)\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eA Future Classic\u003cul\u003e\n\u003cli\u003eCard Addition by Fred Braue\u003c\/li\u003e\n\u003cli\u003eTurnover Change\u003c\/li\u003e\n\u003cli\u003eHit Method\u003c\/li\u003e\n\u003cli\u003eLeft Hand Palm\/Dealing Position Palm\/Future Classic Palm\u003c\/li\u003e\n\u003cli\u003eSummary\u003c\/li\u003e\n\u003c\/ul\u003eStreamlined Classic\u003cbr\u003eComedy Classic\u003cbr\u003eFinal Observations\u003cul\u003e\n\u003cli\u003eAlternate Set-Up\u003c\/li\u003e\n\u003cli\u003eAlternate Count One\u003c\/li\u003e\n\u003cli\u003eAlternate Count Two\u003c\/li\u003e\n\u003cli\u003eGlide Double Handling\u003c\/li\u003e\n\u003c\/ul\u003e \u003cb\u003eChapter 8 - The Magic Seven (1954)\u003c\/b\u003eMagical Seven\u003cul\u003e\n\u003cli\u003ePhase One\u003c\/li\u003e\n\u003cli\u003ePhase Two\u003cbr\u003eThe Glide\u003c\/li\u003e\n\u003cli\u003ePhase Three\u003c\/li\u003e\n\u003cli\u003ePhase Four\u003c\/li\u003e\n\u003cli\u003ePhase Five\u003c\/li\u003e\n\u003cli\u003eSummary\u003c\/li\u003e\n\u003c\/ul\u003eOpening Phase\u003cul\u003e\u003cli\u003eAlternate Methods\u003c\/li\u003e\u003c\/ul\u003e The Climax Phase\u003cul\u003e\u003cli\u003eAlternate Methods\u003c\/li\u003e\u003c\/ul\u003e \u003cb\u003eChapter 9 - Classical Foursome by Ed Marlo and Carmen D'Amico (1956)\u003c\/b\u003eForeword\u003cbr\u003eA Classical Quickie\u003cul\u003e\n\u003cli\u003eFirst Method\u003c\/li\u003e\n\u003cli\u003eSecond Method\u003c\/li\u003e\n\u003cli\u003eThird Method\u003c\/li\u003e\n\u003cli\u003eFourth Method\u003c\/li\u003e\n\u003cli\u003eFifth Method\u003c\/li\u003e\n\u003cli\u003eSixth Method\u003c\/li\u003e\n\u003cli\u003eSeventh Method\u003cbr\u003eThe Open Reverse\u003c\/li\u003e\n\u003cli\u003eEighth Method\u003c\/li\u003e\n\u003cli\u003eNinth Method\u003c\/li\u003e\n\u003cli\u003eTenth Method\u003c\/li\u003e\n\u003c\/ul\u003eThe D'Amico Spread\u003cbr\u003eDoubly Ambitious\u003cbr\u003eChameleon Queens\u003cbr\u003eMarlo-Curry Change\u003cbr\u003eDouble Transpositions\u003cul\u003e\n\u003cli\u003eThe Repeat\u003c\/li\u003e\n\u003cli\u003eStraight Presentation\u003c\/li\u003e\n\u003c\/ul\u003eCombination\u003cbr\u003eMarlo Pivot Spread\u003cul\u003e\n\u003cli\u003eBasic Principle\u003c\/li\u003e\n\u003cli\u003eFirst\u003c\/li\u003e\n\u003cli\u003eSecond\u003c\/li\u003e\n\u003cli\u003eThird\u003c\/li\u003e\n\u003cli\u003eFourth\u003c\/li\u003e\n\u003cli\u003eFifth\u003c\/li\u003e\n\u003cli\u003eSixth\u003c\/li\u003e\n\u003cli\u003eNote on Sixth Method\u003c\/li\u003e\n\u003cli\u003eTriple Pivot Spread\u003c\/li\u003e\n\u003c\/ul\u003e \u003cb\u003eChapter 10 - Marlo Meets His Match (1959)\u003c\/b\u003eForeword\u003cbr\u003eMatcho\u003cul\u003e\u003cli\u003eMatcho Methods I-VI\u003c\/li\u003e\u003c\/ul\u003e Matcho Notes\u003cul\u003e\n\u003cli\u003eVariation of the Method II\u003c\/li\u003e\n\u003cli\u003ePossible Stage Presentation\u003c\/li\u003e\n\u003cli\u003eMatcho II-Single Deck Version\u003c\/li\u003e\n\u003c\/ul\u003eMarlo-Curry Change Variation\u003cbr\u003eDouble Thought-Single Deck\u003cul\u003e\n\u003cli\u003eStooge Version\u003c\/li\u003e\n\u003cli\u003eThe Exchange Version\u003c\/li\u003e\n\u003cli\u003eThe Key Card Version-First Version\u003c\/li\u003e\n\u003cli\u003eThe Key Card Version-Second Version\u003c\/li\u003e\n\u003cli\u003eMemory Version\u003c\/li\u003e\n\u003c\/ul\u003eRed and Blue-Spectator Coincidence\u003cbr\u003eDouble Coincidence\u003cbr\u003eMore Matchos\u003cul\u003e\u003cli\u003eMatcho Methods VII-IX\u003c\/li\u003e\u003c\/ul\u003eDouble Thought and Two Billets\u003cbr\u003eGaffed Matcho\u003cul\u003e\n\u003cli\u003eFirst Method\u003c\/li\u003e\n\u003cli\u003eSecond Method\u003c\/li\u003e\n\u003c\/ul\u003eMarked Matcho\u003cbr\u003eUnmarked Matcho\u003cbr\u003eMemory Matcho\u003cbr\u003eThe Fake Change\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 11 - The K. M. Move by Ed Marlo with Tony Kardyro (1962)\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eIntroduction\u003cbr\u003eThe K. M. Move-Forward Fingering Action\u003cbr\u003eTwo Closing Actions\u003cbr\u003eReverse Fingering Action\u003cbr\u003eReversal Effect\u003cbr\u003eCard Face-Up, Deck Face-Down\u003cbr\u003eRighting a Reversed Card\u003cbr\u003eMultiple Cards, Forward Fingering Action\u003cbr\u003e\u003ci\u003eForeshadowing Later Ideas\u003c\/i\u003e\u003cbr\u003eMultiple Cards, Reverse Fingering Action\u003cbr\u003eMultiple Out\/Multiple Turnover Cleanup\u003cbr\u003eOff the Face Changes\u003cbr\u003eAmbitious Routine\u003cbr\u003eFurther Applications of the Reverse Fingering Action with K. M. Move\u003cul\u003e\n\u003cli\u003eAll Alike Count\u003c\/li\u003e\n\u003cli\u003eThe Transposition\u003c\/li\u003e\n\u003c\/ul\u003eUse of the K. M. Move in Devilish Miracle\u003cbr\u003eK.M. Move Follow Up Aces\u003cbr\u003eAnother Exchange Procedure\u003cbr\u003eThe Four Ace and Four King Transposition\u003cbr\u003eK.M. Move with the Peek\u003cbr\u003eK.M. Move as a Passer\u003cul\u003e\n\u003cli\u003eFirst Idea\u003c\/li\u003e\n\u003cli\u003eSecond Idea\u003c\/li\u003e\n\u003cli\u003ePacket Handling\u003c\/li\u003e\n\u003c\/ul\u003eSecond Handling of K. M. Move\u003cul\u003e\u003cli\u003eMultiple Card Steal\u003c\/li\u003e\u003c\/ul\u003eThe K. M. Move Force\u003cbr\u003eAce Producer\u003cbr\u003eThe K. M. Move Brush Change\u003cbr\u003eAppearing and Disappearing Selections\u003cbr\u003eTechnical Variations of the K. M. Move\u003cul\u003e\n\u003cli\u003eFirst Variation\u003c\/li\u003e\n\u003cli\u003eSecond Variation\u003c\/li\u003e\n\u003cli\u003eThe Fan Method\u003c\/li\u003e\n\u003c\/ul\u003eConclusions and Recollections\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 12 - Tilt! (1962)\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eForeword\u003cbr\u003eMore Bluff Shifts\u003cul\u003e\n\u003cli\u003eFor One Card (Added Ideas)\u003c\/li\u003e\n\u003cli\u003eBluff Shift to the Top or at Any Number from the Top\u003c\/li\u003e\n\u003cli\u003eBluff Shift to the Bottom or Any Number from the Bottom\u003c\/li\u003e\n\u003cli\u003eBluff Shift and Palm Off\u003c\/li\u003e\n\u003cli\u003eFlexible Bluff Shift\u003c\/li\u003e\n\u003cli\u003eD'Amico's Idea by Carmen D'Amico\u003c\/li\u003e\n\u003cli\u003eFront End Tilt\u003c\/li\u003e\n\u003c\/ul\u003eMental Elimination\u003cul\u003e\u003cli\u003eMental Elimination\u003c\/li\u003e\u003c\/ul\u003eEffects with Figure Three\u003cul\u003e\n\u003cli\u003eFirst Effect-Rising Thought\u003c\/li\u003e\n\u003cli\u003eSecond Effect-Quick Acembly\u003c\/li\u003e\n\u003cli\u003eThird Effect-4 and 4 Transposition\u003c\/li\u003e\n\u003cli\u003eFourth Effect-Trapped\u003c\/li\u003e\n\u003cli\u003eFifth Effect-The Pincers\u003cbr\u003eTilt Subtlety by Charles Aste, Jr.\u003c\/li\u003e\n\u003cli\u003eSixth Effect-Gathering of the Clan\u003c\/li\u003e\n\u003cli\u003eSeventh Effect-Surprise\u003c\/li\u003e\n\u003cli\u003eAmbitious Card Sequence\u003c\/li\u003e\n\u003c\/ul\u003eAdd to Effects with Figure Three\u003cul\u003e\n\u003cli\u003eEighth Effect-Another Classical Quickie\u003c\/li\u003e\n\u003cli\u003eNinth Effect-Aces to Pocket\u003c\/li\u003e\n\u003cli\u003eTenth Effect-The Prediction (Open or Closed)\u003c\/li\u003e\n\u003cli\u003eEleventh Effect-Do as I Do\u003c\/li\u003e\n\u003c\/ul\u003eMore Effects with Figure Three\u003cul\u003e\n\u003cli\u003eTwelfth Effect-The Tilted Transposition\u003c\/li\u003e\n\u003cli\u003eThirteenth Effect-The Criss Cross Transposition\u003c\/li\u003e\n\u003cli\u003eFourteenth Effect-The Tilt Stab\u003c\/li\u003e\n\u003cli\u003eFifteenth Effect-The Tilt Sandwich\u003cbr\u003eAlternative Handlings for The Tilt Sandwich\u003c\/li\u003e\n\u003c\/ul\u003e New Effects\u003cul\u003e\n\u003cli\u003eSixteenth Effect-Tilt Doubly Ambitious\u003c\/li\u003e\n\u003cli\u003eSeventeenth Effect-Tilted Aces\u003c\/li\u003e\n\u003cli\u003eEighteenth Effect-Tilt Addition\u003c\/li\u003e\n\u003cli\u003eNineteenth Effect-Numbered Tilt\u003c\/li\u003e\n\u003cli\u003eTwentieth Effect-Tilted Dunbury\u003c\/li\u003e\n\u003cli\u003eTwenty-First Effect-Tilted Classical Quickie\u003c\/li\u003e\n\u003cli\u003eTwenty-Second Effect-Visible Tilt\u003c\/li\u003e\n\u003cli\u003eRoger Klause Fake Center Deal by Roger Klause\u003c\/li\u003e\n\u003cli\u003eNeal Elias Tilt Contribution by Neal Elias\u003c\/li\u003e\n\u003c\/ul\u003e \u003cb\u003eChapter 13 - Marlo's Objectives (1973)\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eFirst Objective\u003cbr\u003eSecond Objective\u003cbr\u003eThird Objective-Re-positioning Spread\u003cbr\u003eFourth Objective-Four Card Location\u003cbr\u003eFifth Objective-In- and Out-Jogging Cull\u003cbr\u003eSixth Objective\u003cbr\u003eSeventh Objective\u003cbr\u003eLoose Ends\u003cbr\u003eAlternated Red \u0026amp; Black Shuffles\u003cbr\u003eFor Faro Shuffler Only\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePART TWO: EXCERPTS\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 14 - STEELE \u0026amp; LEECH\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e52 Amazing Card Tricks by W. F. (Rufus) Steele (1949)\u003c\/b\u003e\u003cbr\u003eDouble Thought\u003cbr\u003e\u003cb\u003eFor Card Men Only by Al Leech (1949)\u003c\/b\u003e\u003cbr\u003eAces Up by Ed Marlo and Al Leech\u003cbr\u003e\u003cb\u003eManipulating with Leech by Al Leech (1952)\u003c\/b\u003e\u003cbr\u003eAce-King a la Marlo\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 15 - IRELAND'S YEARBOOK\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eThe Ireland Yearbook for 1950 (1950)\u003c\/b\u003e\u003cbr\u003eCard Telepathy de Luxe by James Auer with Ed Marlo\u003cbr\u003e\u003cb\u003eIreland's Yearbook for 1954 (1954)\u003c\/b\u003e\u003cbr\u003eThe Royal Assembly by Del Ray and Ed Marlo\u003cbr\u003e\u003cb\u003eIreland's Yearbook for 1955 (1955)\u003c\/b\u003e\u003cbr\u003eBluff Ace Assembly\u003cbr\u003e\u003cb\u003eIreland's Yearbook 1959 (1959)\u003c\/b\u003e\u003cbr\u003eTabled Bottom Placement\u003cul\u003e\u003cli\u003eFour Suggested Uses\u003c\/li\u003e\u003c\/ul\u003e\n\u003cb\u003eIreland's Yearbook for 1961 (1962)\u003c\/b\u003e\u003cbr\u003eThe Master Position\u003cul\u003e\n\u003cli\u003eThe Master Position\u003c\/li\u003e\n\u003cli\u003eControl to the Bottom--Five Methods\u003c\/li\u003e\n\u003c\/ul\u003eTransferring the Cards\u003cbr\u003eThe Pivot Palm\u003cul\u003e\u003cli\u003ePalm Pivot Transfer\u003c\/li\u003e\u003c\/ul\u003ePivot Palm Replacements--Three Methods\u003cbr\u003eReversing the Cards--Three Methods\u003cbr\u003eThe Spread Pass\u003cbr\u003eTo Place the Card During the Spread Pass\u003cbr\u003eMultiple Spread Pass\u003cbr\u003eNine Notes\u003cbr\u003e\u003cbr\u003e\u003cb\u003eIreland's Yearbook for 1962 (1962)\u003c\/b\u003e\u003cbr\u003eTechnicolor Prediction\u003cbr\u003eImpromptu Technicolor Prediction--Four Methods\u003cbr\u003eAlternative Presentation for Technicolor Prediction--Six Versions\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 16 - THE NEW PHOENIX\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eThe New Phoenix #329 - The Ed Marlo Issue (August 20, 1955)\u003c\/b\u003e\u003cbr\u003eInterview with Ed Marlo by Jay Marshall with Ed Marlo\u003cbr\u003eCard Miracles from 1949\u003cul\u003e\n\u003cli\u003eThrow In Location\u003c\/li\u003e\n\u003cli\u003eCard Stab-Two Methods\u003c\/li\u003e\n\u003cli\u003eAutomatic Placement\u003cbr\u003eSix Applications\u003c\/li\u003e\n\u003c\/ul\u003e \u003cb\u003eThe New Phoenix #334 (December 12, 1955)\u003c\/b\u003e\u003cbr\u003eChallenge to You from Edward Marlo by Jay Marshall\u003cbr\u003e\u003cb\u003eThe New Phoenix #338 -Ed Marlo Tells All! (1956)\u003c\/b\u003e\u003cbr\u003eReal Gone Aces\u003cbr\u003eAdditional Notes on Real Gone Aces\u003cul\u003e\u003cli\u003eSwindle Aces Ideas\u003c\/li\u003e\u003c\/ul\u003eNote on the Handling of Initial Count Off of Nine Cards\u003cbr\u003eFor Use in Real Gone Aces (Ace Layout)\u003cbr\u003eThe Separating Aces--Three Methods\u003cbr\u003eNotes on the Mislide\u003cbr\u003eThe New Elevator--Four Methods\u003cbr\u003eVanishing Aces Theory\u003cbr\u003eAces \u0026amp; Deuces\u003cbr\u003e\u003cb\u003eThe New Phoenix #339 (1956)\u003c\/b\u003e\u003cbr\u003eCase Card Again\u003cbr\u003e\u003cb\u003eThe New Phoenix #346 (July 20, 1957)\u003c\/b\u003e\u003cbr\u003eSix Card Repeat Climax\u003cbr\u003e\u003cb\u003eThe New Phoenix #374 (November 1962)\u003c\/b\u003e\u003cbr\u003eMarlo's False Cut on Table\u003cbr\u003eMarlo's Lengthwise Spread\u003cbr\u003e\u003cb\u003eThe New Phoenix #375 (December 1962)\u003c\/b\u003e\u003cbr\u003eThe Open Travelers\u003cul\u003e\u003cli\u003eAdd a Subtlety (for Open Travelers)\u003c\/li\u003e\u003c\/ul\u003e\n\u003cb\u003eChapter 17 - IRELAND'S CARD ANNUAL\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e1956 Card Annual (1956)\u003c\/b\u003e\u003cbr\u003eThe Switchless Switch\u003cul\u003e\n\u003cli\u003eFirst Effect\u003c\/li\u003e\n\u003cli\u003eSecond Effect\u003c\/li\u003e\n\u003cli\u003eThird Effect\u003c\/li\u003e\n\u003cli\u003eAdditional Technique for the Switchless Switch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cb\u003e1957 Card Annual (1958)\u003c\/b\u003e\u003cbr\u003eMarlo's Hofzinser\u003cul\u003e\n\u003cli\u003eFor the Purists\u003c\/li\u003e\n\u003cli\u003eAdditional Climax to Marlo's Hofzinser\u003c\/li\u003e\n\u003c\/ul\u003eThe Buckle Break\u003cbr\u003eMarlo Bottom Count\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 18 - IRELAND'S TRICK TALK\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eIreland's Trick Talk Vol. 1 No. 1 (May-June 1957)\u003c\/b\u003e\u003cbr\u003eMarlo's Card Quiz: Spur of the Moment\u003cbr\u003e\u003cb\u003eIreland's Trick Talk Vol. 1 No. 2 (July-August 1957)\u003c\/b\u003e\u003cbr\u003eMarlo's Card Quiz: Out of Your Hands\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 19 - KID STUFF\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eKid Stuff 5 (1974)\u003c\/b\u003eEntertaining Kids with Cards\u003cbr\u003eAfterword by N. C. Colwell\u003cbr\u003e\u003cbr\u003eAppendix\u003cbr\u003e\u003cbr\u003eIndex\u003c\/div\u003e","published_at":"2024-10-19T01:19:25-06:00","created_at":"2024-10-19T01:19:25-06:00","vendor":"Murphy's Magic Supplies, Inc.","type":"Book","tags":["Card Magic and Trick Decks"],"price":160885,"price_min":160885,"price_max":160885,"available":true,"price_varies":false,"compare_at_price":241328,"compare_at_price_min":241328,"compare_at_price_max":241328,"compare_at_price_varies":false,"variants":[{"id":49699139125542,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"74918","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Marlo The Final Cut - Third Volume Of The Marlo Card Series - Book","public_title":null,"options":["Default Title"],"price":160885,"weight":862,"compare_at_price":241328,"inventory_quantity":50,"inventory_management":"shopify","inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.magiaviral.com\/cdn\/shop\/files\/74918-full.png?v=1738894677","\/\/www.magiaviral.com\/cdn\/shop\/files\/74918-alt1.png?v=1738894677"],"featured_image":"\/\/www.magiaviral.com\/cdn\/shop\/files\/74918-full.png?v=1738894677","options":["Title"],"media":[{"alt":"ES TUYO","id":41625786122534,"position":1,"preview_image":{"aspect_ratio":1.779,"height":416,"width":740,"src":"\/\/www.magiaviral.com\/cdn\/shop\/files\/74918-full.png?v=1738894677"},"aspect_ratio":1.779,"height":416,"media_type":"image","src":"\/\/www.magiaviral.com\/cdn\/shop\/files\/74918-full.png?v=1738894677","width":740},{"alt":"ES TUYO","id":41625786155302,"position":2,"preview_image":{"aspect_ratio":1.779,"height":416,"width":740,"src":"\/\/www.magiaviral.com\/cdn\/shop\/files\/74918-alt1.png?v=1738894677"},"aspect_ratio":1.779,"height":416,"media_type":"image","src":"\/\/www.magiaviral.com\/cdn\/shop\/files\/74918-alt1.png?v=1738894677","width":740}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cdiv class=\"mms_prod_desc\"\u003eHardcover, 312 pages. ISBN 978-0-9729263-9-3\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMARLO The Final Cut\u003c\/b\u003e is the broadest and most ambitious compilation of Ed Marlo's work ever published. Spanning more than thirty different published sources released from 1941-1974, it covers hundreds of tricks, moves, routines, subtleties, musings, and thought problems. Not only does this volume compile thirteen distinct books, but it also reprints his contributions from a myriad of other publications - magazines to books to newsletters.\u003cbr\u003e\u003cbr\u003eIn this book, you'll discover material of all kinds-from close-up to stage, from semi-automatic to knuckle-busting, from complex routines to simple tricks. Learn modernist masterpieces like Devilish Miracle, practical worker's material like Cardician Makes Good, ornate dances like New Elevator, and elemental concepts like the KM Move. \u003cbr\u003e\u003cbr\u003eCompiled and edited by N. C. Colwell with more than 300 endnotes and notations providing historical, literary, and clarifying context and foreword and remembrance by two of Ed Marlo's most prominent students - Jon Racherbaumer and Allan Ackerman.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCONTENTS\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eIntroduction by N. C. Colwell\u003cbr\u003e\u003cbr\u003eRemembering Eddie by Allan Ackerman\u003cbr\u003e\u003cbr\u003eForeword by Jon Racherbaumer\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePART ONE: BOOKS\u003c\/b\u003e\u003cb\u003eChapter 1 - Card Fan Productions (1941)\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003eIntroduction\u003c\/i\u003e\u003cbr\u003eThe Instruction\u003cul\u003e\n\u003cli\u003eProducing Multiple Fans of Cards\u003c\/li\u003e\n\u003cli\u003eSample Routine\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ci\u003eA Bad Technique\u003c\/i\u003e\u003cbr\u003e\u003ci\u003eTypes of Cards-One\u003c\/i\u003e\u003cbr\u003e\u003ci\u003eTypes of Hands\u003c\/i\u003e\u003cbr\u003e\u003ci\u003eTypes of Cards-Two\u003c\/i\u003e\u003cbr\u003eThe Hat Steal by Mort Abrams\u003cbr\u003ePainted Card by Hank Nowoc\u003cbr\u003e\u003ci\u003eThe Card Clip\u003c\/i\u003e\u003cbr\u003e\u003ci\u003eA Net for Catching the Cards\u003c\/i\u003e\u003cbr\u003e\u003ci\u003eTwo Types of Fans\u003c\/i\u003e\u003cbr\u003e\u003ci\u003eGloved Productions\u003c\/i\u003e\u003cbr\u003e\u003ci\u003eHand Care\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 2 - Deck Deception (1942)\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eForeword\u003cbr\u003eDouble Vanish and Recovery\u003cul\u003e\n\u003cli\u003eCasanova Card Trick by Martin Gardner and Ed Marlo\u003c\/li\u003e\n\u003cli\u003eMarlo's Double Vanish and Recovery\u003c\/li\u003e\n\u003c\/ul\u003eTorn Deck Mystery\u003cbr\u003eA Good Number\u003cbr\u003eNumber Transpo\u003cbr\u003eMarlo's Running Cut\u003cbr\u003eMarlo's Lessinout System of Cull and Stock Shuffles\u003cul\u003e\n\u003cli\u003eLessinout Cull\u003c\/li\u003e\n\u003cli\u003eLessinout Stack\u003c\/li\u003e\n\u003c\/ul\u003eThe Spy\u003cbr\u003eDivining Hanky\u003cbr\u003eMarlo's Card to Card Case\u003cbr\u003eThe Magical Gambler\u003cbr\u003e\u003ci\u003eAnd in Conclusion...\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 3 - Future Reverse (1945)\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eFirst Method\u003cbr\u003eSecond Method\u003cul\u003e\u003cli\u003eCenter Reverse\/Future Reverse\u003c\/li\u003e\u003c\/ul\u003eMethod Three\u003cbr\u003eMethod Four\u003cbr\u003eMethod Five\u003cbr\u003eMethod Six\u003cbr\u003eThe Bonus Effect\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 4 - Havana Deal (1948)\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eFirst Method\u003cbr\u003eSecond Method\u003cbr\u003eThird Method\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 5 - A Devilish Miracle by Ed Marlo and Carmen D'Amico (1948)\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eFirst Method\u003cbr\u003eSecond Method\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 6 - Ed Marlo's Lecture Notes (1951)\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eSudden Aces\u003cbr\u003eCutting the Aces Routine\u003cbr\u003eAce Opener\u003cbr\u003eCardician Makes Good\u003cbr\u003eFollow the Leader\u003cbr\u003eMr. Black Comes Back\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 7 - The Future Classic by Ed Marlo and Carmen D'Amico (1953)\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eA Future Classic\u003cul\u003e\n\u003cli\u003eCard Addition by Fred Braue\u003c\/li\u003e\n\u003cli\u003eTurnover Change\u003c\/li\u003e\n\u003cli\u003eHit Method\u003c\/li\u003e\n\u003cli\u003eLeft Hand Palm\/Dealing Position Palm\/Future Classic Palm\u003c\/li\u003e\n\u003cli\u003eSummary\u003c\/li\u003e\n\u003c\/ul\u003eStreamlined Classic\u003cbr\u003eComedy Classic\u003cbr\u003eFinal Observations\u003cul\u003e\n\u003cli\u003eAlternate Set-Up\u003c\/li\u003e\n\u003cli\u003eAlternate Count One\u003c\/li\u003e\n\u003cli\u003eAlternate Count Two\u003c\/li\u003e\n\u003cli\u003eGlide Double Handling\u003c\/li\u003e\n\u003c\/ul\u003e \u003cb\u003eChapter 8 - The Magic Seven (1954)\u003c\/b\u003eMagical Seven\u003cul\u003e\n\u003cli\u003ePhase One\u003c\/li\u003e\n\u003cli\u003ePhase Two\u003cbr\u003eThe Glide\u003c\/li\u003e\n\u003cli\u003ePhase Three\u003c\/li\u003e\n\u003cli\u003ePhase Four\u003c\/li\u003e\n\u003cli\u003ePhase Five\u003c\/li\u003e\n\u003cli\u003eSummary\u003c\/li\u003e\n\u003c\/ul\u003eOpening Phase\u003cul\u003e\u003cli\u003eAlternate Methods\u003c\/li\u003e\u003c\/ul\u003e The Climax Phase\u003cul\u003e\u003cli\u003eAlternate Methods\u003c\/li\u003e\u003c\/ul\u003e \u003cb\u003eChapter 9 - Classical Foursome by Ed Marlo and Carmen D'Amico (1956)\u003c\/b\u003eForeword\u003cbr\u003eA Classical Quickie\u003cul\u003e\n\u003cli\u003eFirst Method\u003c\/li\u003e\n\u003cli\u003eSecond Method\u003c\/li\u003e\n\u003cli\u003eThird Method\u003c\/li\u003e\n\u003cli\u003eFourth Method\u003c\/li\u003e\n\u003cli\u003eFifth Method\u003c\/li\u003e\n\u003cli\u003eSixth Method\u003c\/li\u003e\n\u003cli\u003eSeventh Method\u003cbr\u003eThe Open Reverse\u003c\/li\u003e\n\u003cli\u003eEighth Method\u003c\/li\u003e\n\u003cli\u003eNinth Method\u003c\/li\u003e\n\u003cli\u003eTenth Method\u003c\/li\u003e\n\u003c\/ul\u003eThe D'Amico Spread\u003cbr\u003eDoubly Ambitious\u003cbr\u003eChameleon Queens\u003cbr\u003eMarlo-Curry Change\u003cbr\u003eDouble Transpositions\u003cul\u003e\n\u003cli\u003eThe Repeat\u003c\/li\u003e\n\u003cli\u003eStraight Presentation\u003c\/li\u003e\n\u003c\/ul\u003eCombination\u003cbr\u003eMarlo Pivot Spread\u003cul\u003e\n\u003cli\u003eBasic Principle\u003c\/li\u003e\n\u003cli\u003eFirst\u003c\/li\u003e\n\u003cli\u003eSecond\u003c\/li\u003e\n\u003cli\u003eThird\u003c\/li\u003e\n\u003cli\u003eFourth\u003c\/li\u003e\n\u003cli\u003eFifth\u003c\/li\u003e\n\u003cli\u003eSixth\u003c\/li\u003e\n\u003cli\u003eNote on Sixth Method\u003c\/li\u003e\n\u003cli\u003eTriple Pivot Spread\u003c\/li\u003e\n\u003c\/ul\u003e \u003cb\u003eChapter 10 - Marlo Meets His Match (1959)\u003c\/b\u003eForeword\u003cbr\u003eMatcho\u003cul\u003e\u003cli\u003eMatcho Methods I-VI\u003c\/li\u003e\u003c\/ul\u003e Matcho Notes\u003cul\u003e\n\u003cli\u003eVariation of the Method II\u003c\/li\u003e\n\u003cli\u003ePossible Stage Presentation\u003c\/li\u003e\n\u003cli\u003eMatcho II-Single Deck Version\u003c\/li\u003e\n\u003c\/ul\u003eMarlo-Curry Change Variation\u003cbr\u003eDouble Thought-Single Deck\u003cul\u003e\n\u003cli\u003eStooge Version\u003c\/li\u003e\n\u003cli\u003eThe Exchange Version\u003c\/li\u003e\n\u003cli\u003eThe Key Card Version-First Version\u003c\/li\u003e\n\u003cli\u003eThe Key Card Version-Second Version\u003c\/li\u003e\n\u003cli\u003eMemory Version\u003c\/li\u003e\n\u003c\/ul\u003eRed and Blue-Spectator Coincidence\u003cbr\u003eDouble Coincidence\u003cbr\u003eMore Matchos\u003cul\u003e\u003cli\u003eMatcho Methods VII-IX\u003c\/li\u003e\u003c\/ul\u003eDouble Thought and Two Billets\u003cbr\u003eGaffed Matcho\u003cul\u003e\n\u003cli\u003eFirst Method\u003c\/li\u003e\n\u003cli\u003eSecond Method\u003c\/li\u003e\n\u003c\/ul\u003eMarked Matcho\u003cbr\u003eUnmarked Matcho\u003cbr\u003eMemory Matcho\u003cbr\u003eThe Fake Change\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 11 - The K. M. Move by Ed Marlo with Tony Kardyro (1962)\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eIntroduction\u003cbr\u003eThe K. M. Move-Forward Fingering Action\u003cbr\u003eTwo Closing Actions\u003cbr\u003eReverse Fingering Action\u003cbr\u003eReversal Effect\u003cbr\u003eCard Face-Up, Deck Face-Down\u003cbr\u003eRighting a Reversed Card\u003cbr\u003eMultiple Cards, Forward Fingering Action\u003cbr\u003e\u003ci\u003eForeshadowing Later Ideas\u003c\/i\u003e\u003cbr\u003eMultiple Cards, Reverse Fingering Action\u003cbr\u003eMultiple Out\/Multiple Turnover Cleanup\u003cbr\u003eOff the Face Changes\u003cbr\u003eAmbitious Routine\u003cbr\u003eFurther Applications of the Reverse Fingering Action with K. M. Move\u003cul\u003e\n\u003cli\u003eAll Alike Count\u003c\/li\u003e\n\u003cli\u003eThe Transposition\u003c\/li\u003e\n\u003c\/ul\u003eUse of the K. M. Move in Devilish Miracle\u003cbr\u003eK.M. Move Follow Up Aces\u003cbr\u003eAnother Exchange Procedure\u003cbr\u003eThe Four Ace and Four King Transposition\u003cbr\u003eK.M. Move with the Peek\u003cbr\u003eK.M. Move as a Passer\u003cul\u003e\n\u003cli\u003eFirst Idea\u003c\/li\u003e\n\u003cli\u003eSecond Idea\u003c\/li\u003e\n\u003cli\u003ePacket Handling\u003c\/li\u003e\n\u003c\/ul\u003eSecond Handling of K. M. Move\u003cul\u003e\u003cli\u003eMultiple Card Steal\u003c\/li\u003e\u003c\/ul\u003eThe K. M. Move Force\u003cbr\u003eAce Producer\u003cbr\u003eThe K. M. Move Brush Change\u003cbr\u003eAppearing and Disappearing Selections\u003cbr\u003eTechnical Variations of the K. M. Move\u003cul\u003e\n\u003cli\u003eFirst Variation\u003c\/li\u003e\n\u003cli\u003eSecond Variation\u003c\/li\u003e\n\u003cli\u003eThe Fan Method\u003c\/li\u003e\n\u003c\/ul\u003eConclusions and Recollections\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 12 - Tilt! (1962)\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eForeword\u003cbr\u003eMore Bluff Shifts\u003cul\u003e\n\u003cli\u003eFor One Card (Added Ideas)\u003c\/li\u003e\n\u003cli\u003eBluff Shift to the Top or at Any Number from the Top\u003c\/li\u003e\n\u003cli\u003eBluff Shift to the Bottom or Any Number from the Bottom\u003c\/li\u003e\n\u003cli\u003eBluff Shift and Palm Off\u003c\/li\u003e\n\u003cli\u003eFlexible Bluff Shift\u003c\/li\u003e\n\u003cli\u003eD'Amico's Idea by Carmen D'Amico\u003c\/li\u003e\n\u003cli\u003eFront End Tilt\u003c\/li\u003e\n\u003c\/ul\u003eMental Elimination\u003cul\u003e\u003cli\u003eMental Elimination\u003c\/li\u003e\u003c\/ul\u003eEffects with Figure Three\u003cul\u003e\n\u003cli\u003eFirst Effect-Rising Thought\u003c\/li\u003e\n\u003cli\u003eSecond Effect-Quick Acembly\u003c\/li\u003e\n\u003cli\u003eThird Effect-4 and 4 Transposition\u003c\/li\u003e\n\u003cli\u003eFourth Effect-Trapped\u003c\/li\u003e\n\u003cli\u003eFifth Effect-The Pincers\u003cbr\u003eTilt Subtlety by Charles Aste, Jr.\u003c\/li\u003e\n\u003cli\u003eSixth Effect-Gathering of the Clan\u003c\/li\u003e\n\u003cli\u003eSeventh Effect-Surprise\u003c\/li\u003e\n\u003cli\u003eAmbitious Card Sequence\u003c\/li\u003e\n\u003c\/ul\u003eAdd to Effects with Figure Three\u003cul\u003e\n\u003cli\u003eEighth Effect-Another Classical Quickie\u003c\/li\u003e\n\u003cli\u003eNinth Effect-Aces to Pocket\u003c\/li\u003e\n\u003cli\u003eTenth Effect-The Prediction (Open or Closed)\u003c\/li\u003e\n\u003cli\u003eEleventh Effect-Do as I Do\u003c\/li\u003e\n\u003c\/ul\u003eMore Effects with Figure Three\u003cul\u003e\n\u003cli\u003eTwelfth Effect-The Tilted Transposition\u003c\/li\u003e\n\u003cli\u003eThirteenth Effect-The Criss Cross Transposition\u003c\/li\u003e\n\u003cli\u003eFourteenth Effect-The Tilt Stab\u003c\/li\u003e\n\u003cli\u003eFifteenth Effect-The Tilt Sandwich\u003cbr\u003eAlternative Handlings for The Tilt Sandwich\u003c\/li\u003e\n\u003c\/ul\u003e New Effects\u003cul\u003e\n\u003cli\u003eSixteenth Effect-Tilt Doubly Ambitious\u003c\/li\u003e\n\u003cli\u003eSeventeenth Effect-Tilted Aces\u003c\/li\u003e\n\u003cli\u003eEighteenth Effect-Tilt Addition\u003c\/li\u003e\n\u003cli\u003eNineteenth Effect-Numbered Tilt\u003c\/li\u003e\n\u003cli\u003eTwentieth Effect-Tilted Dunbury\u003c\/li\u003e\n\u003cli\u003eTwenty-First Effect-Tilted Classical Quickie\u003c\/li\u003e\n\u003cli\u003eTwenty-Second Effect-Visible Tilt\u003c\/li\u003e\n\u003cli\u003eRoger Klause Fake Center Deal by Roger Klause\u003c\/li\u003e\n\u003cli\u003eNeal Elias Tilt Contribution by Neal Elias\u003c\/li\u003e\n\u003c\/ul\u003e \u003cb\u003eChapter 13 - Marlo's Objectives (1973)\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eFirst Objective\u003cbr\u003eSecond Objective\u003cbr\u003eThird Objective-Re-positioning Spread\u003cbr\u003eFourth Objective-Four Card Location\u003cbr\u003eFifth Objective-In- and Out-Jogging Cull\u003cbr\u003eSixth Objective\u003cbr\u003eSeventh Objective\u003cbr\u003eLoose Ends\u003cbr\u003eAlternated Red \u0026amp; Black Shuffles\u003cbr\u003eFor Faro Shuffler Only\u003cbr\u003e\u003cbr\u003e \u003cb\u003ePART TWO: EXCERPTS\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eChapter 14 - STEELE \u0026amp; LEECH\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e52 Amazing Card Tricks by W. F. (Rufus) Steele (1949)\u003c\/b\u003e\u003cbr\u003eDouble Thought\u003cbr\u003e\u003cb\u003eFor Card Men Only by Al Leech (1949)\u003c\/b\u003e\u003cbr\u003eAces Up by Ed Marlo and Al Leech\u003cbr\u003e\u003cb\u003eManipulating with Leech by Al Leech (1952)\u003c\/b\u003e\u003cbr\u003eAce-King a la Marlo\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 15 - IRELAND'S YEARBOOK\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eThe Ireland Yearbook for 1950 (1950)\u003c\/b\u003e\u003cbr\u003eCard Telepathy de Luxe by James Auer with Ed Marlo\u003cbr\u003e\u003cb\u003eIreland's Yearbook for 1954 (1954)\u003c\/b\u003e\u003cbr\u003eThe Royal Assembly by Del Ray and Ed Marlo\u003cbr\u003e\u003cb\u003eIreland's Yearbook for 1955 (1955)\u003c\/b\u003e\u003cbr\u003eBluff Ace Assembly\u003cbr\u003e\u003cb\u003eIreland's Yearbook 1959 (1959)\u003c\/b\u003e\u003cbr\u003eTabled Bottom Placement\u003cul\u003e\u003cli\u003eFour Suggested Uses\u003c\/li\u003e\u003c\/ul\u003e\n\u003cb\u003eIreland's Yearbook for 1961 (1962)\u003c\/b\u003e\u003cbr\u003eThe Master Position\u003cul\u003e\n\u003cli\u003eThe Master Position\u003c\/li\u003e\n\u003cli\u003eControl to the Bottom--Five Methods\u003c\/li\u003e\n\u003c\/ul\u003eTransferring the Cards\u003cbr\u003eThe Pivot Palm\u003cul\u003e\u003cli\u003ePalm Pivot Transfer\u003c\/li\u003e\u003c\/ul\u003ePivot Palm Replacements--Three Methods\u003cbr\u003eReversing the Cards--Three Methods\u003cbr\u003eThe Spread Pass\u003cbr\u003eTo Place the Card During the Spread Pass\u003cbr\u003eMultiple Spread Pass\u003cbr\u003eNine Notes\u003cbr\u003e\u003cbr\u003e\u003cb\u003eIreland's Yearbook for 1962 (1962)\u003c\/b\u003e\u003cbr\u003eTechnicolor Prediction\u003cbr\u003eImpromptu Technicolor Prediction--Four Methods\u003cbr\u003eAlternative Presentation for Technicolor Prediction--Six Versions\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 16 - THE NEW PHOENIX\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eThe New Phoenix #329 - The Ed Marlo Issue (August 20, 1955)\u003c\/b\u003e\u003cbr\u003eInterview with Ed Marlo by Jay Marshall with Ed Marlo\u003cbr\u003eCard Miracles from 1949\u003cul\u003e\n\u003cli\u003eThrow In Location\u003c\/li\u003e\n\u003cli\u003eCard Stab-Two Methods\u003c\/li\u003e\n\u003cli\u003eAutomatic Placement\u003cbr\u003eSix Applications\u003c\/li\u003e\n\u003c\/ul\u003e \u003cb\u003eThe New Phoenix #334 (December 12, 1955)\u003c\/b\u003e\u003cbr\u003eChallenge to You from Edward Marlo by Jay Marshall\u003cbr\u003e\u003cb\u003eThe New Phoenix #338 -Ed Marlo Tells All! (1956)\u003c\/b\u003e\u003cbr\u003eReal Gone Aces\u003cbr\u003eAdditional Notes on Real Gone Aces\u003cul\u003e\u003cli\u003eSwindle Aces Ideas\u003c\/li\u003e\u003c\/ul\u003eNote on the Handling of Initial Count Off of Nine Cards\u003cbr\u003eFor Use in Real Gone Aces (Ace Layout)\u003cbr\u003eThe Separating Aces--Three Methods\u003cbr\u003eNotes on the Mislide\u003cbr\u003eThe New Elevator--Four Methods\u003cbr\u003eVanishing Aces Theory\u003cbr\u003eAces \u0026amp; Deuces\u003cbr\u003e\u003cb\u003eThe New Phoenix #339 (1956)\u003c\/b\u003e\u003cbr\u003eCase Card Again\u003cbr\u003e\u003cb\u003eThe New Phoenix #346 (July 20, 1957)\u003c\/b\u003e\u003cbr\u003eSix Card Repeat Climax\u003cbr\u003e\u003cb\u003eThe New Phoenix #374 (November 1962)\u003c\/b\u003e\u003cbr\u003eMarlo's False Cut on Table\u003cbr\u003eMarlo's Lengthwise Spread\u003cbr\u003e\u003cb\u003eThe New Phoenix #375 (December 1962)\u003c\/b\u003e\u003cbr\u003eThe Open Travelers\u003cul\u003e\u003cli\u003eAdd a Subtlety (for Open Travelers)\u003c\/li\u003e\u003c\/ul\u003e\n\u003cb\u003eChapter 17 - IRELAND'S CARD ANNUAL\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e1956 Card Annual (1956)\u003c\/b\u003e\u003cbr\u003eThe Switchless Switch\u003cul\u003e\n\u003cli\u003eFirst Effect\u003c\/li\u003e\n\u003cli\u003eSecond Effect\u003c\/li\u003e\n\u003cli\u003eThird Effect\u003c\/li\u003e\n\u003cli\u003eAdditional Technique for the Switchless Switch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cb\u003e1957 Card Annual (1958)\u003c\/b\u003e\u003cbr\u003eMarlo's Hofzinser\u003cul\u003e\n\u003cli\u003eFor the Purists\u003c\/li\u003e\n\u003cli\u003eAdditional Climax to Marlo's Hofzinser\u003c\/li\u003e\n\u003c\/ul\u003eThe Buckle Break\u003cbr\u003eMarlo Bottom Count\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 18 - IRELAND'S TRICK TALK\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eIreland's Trick Talk Vol. 1 No. 1 (May-June 1957)\u003c\/b\u003e\u003cbr\u003eMarlo's Card Quiz: Spur of the Moment\u003cbr\u003e\u003cb\u003eIreland's Trick Talk Vol. 1 No. 2 (July-August 1957)\u003c\/b\u003e\u003cbr\u003eMarlo's Card Quiz: Out of Your Hands\u003cbr\u003e\u003cbr\u003e \u003cb\u003eChapter 19 - KID STUFF\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eKid Stuff 5 (1974)\u003c\/b\u003eEntertaining Kids with Cards\u003cbr\u003eAfterword by N. C. Colwell\u003cbr\u003e\u003cbr\u003eAppendix\u003cbr\u003e\u003cbr\u003eIndex\u003c\/div\u003e"}" data-product-id="9907371704614">
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